Tuesday, July 27, 2010

Western Wednesday: The Killing Kind Excerpt

It’s Western Wednesday so pull up yer pantaloons and let out a few yippi yi ki yays!

This week, a sneak peek of my 2011 Lance Howard release, The Killing Kind. First the blurb:

Jim Bartlett thought he could put his former life behind him and forge a new one as small Texas ranch owner, but he was wrong—dead wrong.

Because someone from his past has followed him and is systematically and permanently trying to destroy that new life piece by piece.

And now with his friends and the woman he loves threatened by a man who knows no remorse and no boundaries, he finds himself in a desperate struggle not only to escape his past but hold onto his very life.

CHAPTER ONE:

When the man in the gray duster stepped into the general store, it seemed as if all light vanished within. Although morning sunlight blazed through the front window, flies and dust waltzing within its glowing shafts, the store interior appeared to darken. It was as if darkness gathered about the man.

He wore a battered hat, which had a chip missing on its brim and was pulled low to shadow the features of its wearer. Two years back, many a man in Colorado Territory would have testified as to how the man blackened a room just by his entry, but that was now the stuff of tall tales in cheap magazines that sold a legend that never was. Or, at least, was not yet ended.

The bell above the door chimed at his entrance. That was strangely ironic, he thought, because its cheerful ring foretold death. He was one for irony, and this mission, this task for which he had strived over the past two years, was as ironic an undertaking as any could get. The Dead bringing death.

Folks in Colorado made mistakes in their perceptions of outlaws, much the way those pulp writers did. They claimed them ignorant, the product of bad upbringings or loose brains.

But he was no such man. He was intelligent, crafty, and his parents, up until the time he put them in their graves, had seen fit to raise him properly. Bless them. It made plans easier to think through, and men easier to control, to frighten. Stupid men gave no thought to the game, to the satisfaction of drawing blood in a thin steady stream, instead of splattering it everywhere, though he had been accused of his share of splattering, and rightly so.

Yet, still, while he was a damn sight smarter than the average owlhoot and considerably deadlier, no one here in the Texas Panhandle knew him, no one in Wendell, except for two men who would never be expecting him. The notion brought a whispered laugh to his lips.

With his rearing, he had no excuse for the man he had become, other than he had just been born defective, corrupt; that suited him right fine. He needed no excuses for his actions. Never had, and never would. He was what he was. A mean-spirited bastard.

After closing the door behind him, the bell chiming again, he stepped deeper into the general store, the fall of his boots hollow, akin to thunder.

Two women, old, gray-hair pulled high and tight beneath little round hats, turned their gazes toward him. Their wrinkled faces pinched at the sight of him as if, backlit by the light from the window, he was some sort of demon who’d simply materialized within the store. Their faded gingham dresses hung like rags on their bony frames, and they gave him an up and down appraisal that brought disgust and a measure of fear to their red-seamed eyes. Blue-veined hands with skin like onion paper tightened on handbags and he might have chuckled had the irritation of finding them in the store not been prickling his hide. He had watched the entryway long enough, had judged the store empty, save for the man he had come to see. The two old women presented a problem, but fortunately one for which he had a solution. The same solution that solved all his ills: death.

They started to scuttle along a row of stacked canned goods and his head lifted slightly, signaling them to a stop without a word. One of them let out a small sound, like that of a mouse ground beneath a bootheel. It pleased him.

His gray eyes swept over the small place, scanning its aisles of shelves stocked with colored bottles of various elixirs and canned goods, sacks of oats and flour piled high on the floor, barrels standing near a low counter flanking the right wall.

“Where is he?” the man asked, his gaze shifting to the counter. “Where’s Jess Henley?”

“W-who?” one of the women said, almost a chirp.

“Calls himself Billy Fredericks now…” he said, forgetting for a moment the stupid bastard had changed his name to prevent just what was about to happen.

“In…in the back,” the other old woman said, her voice worn, as frail as her appearance.

“He went to fetch us something…” the first one said, voice quivering.

“Your cooperation won’t save you…” he said.

He realized it wasn’t only his presence and the evil they might have felt emanating from him that brought about their nervousness. Something else was making them antsy. He surmised the storekeep had gone to fetch them liquor of some kind; that’s why they had likely snuck in here through the back and he hadn’t seen them enter. For some reason unknown to him, these ladies were hiding their vice. Everyone had their secrets, didn’t they? From the prissiest church goer to the orneriest outlaw. But they all had one thing in common: they rarely died with them. Secrets had a way of spilling out.

A sound from the back caught his attention. His head lifted a fraction and strands of brown straggly hair shown in the arc of sunlight that sliced through the store window. Momentarily, a small portion of his lower face was revealed and one of the old women let out a startled yelp.

“You damn well best shut it,” he said, cocking his head back to her. He couldn’t blame her for her reaction. She’d likely never seen a man with scars such as his. A dead man’s scars.

Coming from the back, clutching two bottles of amber liquor, the storekeep pulled up short. The bleat from the old woman had halted his entry and he peered at the stranger in the duster as if the Devil himself had stepped into his parlor.

Indeed, that was damn near the truth of the matter, thought the man. “Everyone loves a surprise, don’t they, Henley?” he said, his voice low, raspy.

“No…” the storekeep said, barely audible. “It ain’t possible.”

“Anything’s possible, Henley, you should know that. Except for maybe killing a ghost.”

The storekeeper’s fear delighted him much more than even he had anticipated. The little runt of a man with a shock of blond-brown hair quivered like a kitten.

The women started moving towards the door again.

“We’ll just come back later for our…medicine…” one said, pushing the other ahead of her a step.

A whiff of a flowery odor assailed his nostrils. It came from the women, sickening, like lilies at a funeral. He detested that stench, detested old people in general and the way they stank of death’s approaching corruption.

“You aren’t going anywhere…” he said, head tilting back to them, and the women stopped again.

“Please…” the ‘keep said. “Let them go…”

“Beg your God, Henley, though I doubt He’ll listen any better than I would. Or care a lick more.”

“We got a new life now…” the store owner said, still quaking. His eyes had widened and sweat trickled down his face.

“You reckon? You reckon you can run far enough from your old one…” The man paused, the flowery scent annoying him further, making his hand itch to go for the Smith & Wesson at his hip to add the acrid scent of gunpowder to the mix.

The storekeeper shook his head. “We wasn’t runnin’. We was just tryin’ to start over, make amends.” The owner swallowed hard, his prominent Adam’s apple doing a dance.

“You were always just a follower, Henley, but Bartlett, he was a trouble-maker. Reckon it was all his idea?”

The ‘keep nodded like a rabbit, though it was plain it was simply a nervous reaction and not a betrayal. “Please just go. We won’t never tell anyone…”

The man laughed, an unpleasant sound that brought another squeak from one of the old women.

“I told you to shut it…” the man said, looking back to them, and suddenly the gun was in his hand. The old women’s eyes widened and their trembling increased.

“No!” the ‘keep said. “Please don’t…just leave…”

“Oh, I’m leaving, Henley. Don’t you worry any about that. For you…it’ll be quick…but for Bartlett…he’s gonna learn there’s no escaping who…what you are.”

The ‘keep started to back up, but the man’s Smith & Wesson swung to aim and thunder filled the store. The thunder was followed by the sound of bottles shattering as they hit the floorboards and the screams of the two old women.

Those screams ended a heartbeat later, but the thunder did not.

Monday, July 26, 2010

Terror Tuesday: The Haunted Inn.

It’s time for another Terror Tuesday—so sharpen the cutlery and keep a sharp eye out for noisy neighbor kids…

As I have said before, Maine is a state haunted by ghosts. Spirits move through the gray morning mists and amongst the bleached-bone colored headstones in cemeteries that date back to Colonial times. The specters of men lost at sea drift in with the salt-scented breeze, entities glazed with moonlight and sorrow, while the shades of their waiting wives fill the night with their plaintive weeping.

Many a captain and crew departed for the depths of Davy Jones’ Locker from Maine seaports in days gone by. Some of them returned to haunt their loved ones and their homes.

One such home resides in the picturesque seaside town of Kennebunkport. The Captain Fairfield Inn is a Federal style mansion that once belonged to Captain James Fairfield, who died in 1820 at the age of 38. He spent time in Dartmoor Prison, captured by the British, during the war of 1812, along with his brother-in-law, with whom he had purchased six acres and built the mansion so that their wives might not be as lonely when their menfolk went to sea. They survived horrendous conditions only to return and die of pneumonia a short time later. Only a few years earlier, he had commissioned a portrait of himself and shipped it to his wife, but it never arrived. The ship transporting it sank, as if it were some eerie portent of the man’s impending demise. In a strange twist, sometime later a Swedish ship rescued a tube from the ocean—a tube containing the very portrait of our fate-doomed captain, and delivered it to his wife in fairly good shape.

Of such things, ghost stories are made. The home is now an Inn and many guests have reported the captain’s ghostly presence. During renovations, workmen glimpsed Fairfield hovering in a dark corner of the basement. Reports of creaking, footsteps and whispers abound.

I stayed a night in this Inn many years ago, hoping to hear a chain rattle or see a misty shape float along a darkened hallway. Like most old houses, floors creak and boards slant, causing doors to swing open if they are not properly latched. The groans and pops of cold-embedded boards and settling foundations fill the silence. Unfortunately I saw no ghosts, Captains or otherwise. Perhaps they were busy haunting elsewhere that night…

Kicking Evil’s ass one demon at a time…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Monday, July 19, 2010

Terror Tuesday: Foot on the Grave…

Time for another Terror Tuesday, so get your ghoul on…

Screening: Dark Shadows 1840 sequence. With the new Johnny Depp/Tim Burton Dark Shadows movie gearing up for filming, I had the urge to rewatch some of the classic soap episodes, starting with one of my personal favorite arcs, the 1840s sequence in which Barnabas Collins and Julia Hoffman travel back in time via a staircase built by Quentin Collins to stop the future destruction of Collinwood by the malevolent ghost of Gerard Stiles. Once there they are confronted by the living head of warlock Judah Zachary and his reanimated headless body grabbing hapless victims in the woods. This is one of the best arcs, in my opinion, scary when I was a kid and lots of fun now. James Storm does an excellent job as Gerard and Kate Jackson, in her first role, brings a wonderful vulnerability to governess Daphne Harridge. The entire show is available on DVD and this arc starts on set 22.

In the Maine town of Bucksport lies the mysterious tomb of one Colonel Jonathan Buck. Our dear Colonel was cursed, it seems, by the deformed son of a witch. Hey, it happens. The curse goes something like, "Your Tomb shall bear the mark of a witch's foot for all eternity…" Pretty scary. Ok, maybe not so much. Legend has it that Buck was cursed because he burned a witch and the witch’s leg rolled out of the fire, and now that disembodied foot appears as a ghostly smudge on his monument. Supposedly the family has tried to clean it off and even replace the stone more than once, but the mark keeps coming back.

The problems with this tourist trap legend abound. John Buck was a justice of the peace born in 1719, without the authority to burn anyone, and lived long after any witch was put to death. As well, no witches were ever burned—they were hanged and none hanged in Maine. The monument upon which the footprint occurs was actually erected 75 years after his death, and no marks appear on his original tombstone in a different part of the cemetery.

Unfortunately our poor Colonel has been misrepresented and maligned for an act he never committed nor had an iota of knowledge about. He is the victim of a tourist trap, albeit an interesting spooky one. You can still see the monument if you wish…but alas the mythical burned witch will not be available…

Kicking Evil’s ass one demon at a time…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Tuesday, July 13, 2010

Western Wednesday: Saddle Bits

There once was a horse named Ed/whose talking really messed with Wilbur’s head/till one night/when Wilbur got tight/and woke up with Ed’s head in his bed…

Screened: Trial of Billy Jack. Won’t spend much time on this because the movie is just plain bad. Terrible sequel to the cult classic film, totally laden with political garbage and propaganda just preached endlessly and very little action in the dragging first hour. I don’t care what side of the political spectrum things are coming from if it is integral to the story and skillfully woven into it—but beating viewers over the head with it gets old fast. Something about Laughlin’s wife’s incessant whine really grates on the nerves, too. She can’t act to save her life, and she has a delivery that is like two hours of nails dragging across a chalkboard. She didn’t annoy me quite as much in Billy Jack, because she was more balanced with the other performances in that one, but she’s the narrator throughout this film. I’ve got one more in the set to go, Billy Jack Goes to Washington, and I am suddenly not looking forward to it. Maybe some things are best left viewed through memory.

My next Lance Howard western after the August release of Dead Man Riding is called The Killing Kind, scheduled for early next year and the cover art arrived this week. From the blurb: Jim Bartlett thought he could put his former life behind him and forge a new one as small Texas ranch owner but he was wrong—dead wrong. Because someone from his past has followed him and is systematically and permanently trying to destroy that new life piece by piece. And now with his friends and the woman he loves threatened by a man who knows no remorse and no boundaries, he finds himself in a desperate struggle not only to escape his past but hold onto his very life.

I am a little worried about Western movies again after the abysmal performance of Jonah Hex. Hollywood has a terrible habit of blaming the genre, not the bad writers and studios who turn out a poor script and film. Jonah opened terribly, was torn a new one by critics…and probably rightly so. But that is not the Western’s fault. It is again the fault of those who don’t have a clue what they are doing and/or are forced into a certain presentation by idiot marketing “experts,” who keep doing the same thing to the same result, then scratching their saddles and wondering why. And passing the blame to where it does not belong. Jonah had an excellent lead actor who looks the part. Apparently that was squandered. They also had excellent source material from DC. Apparently that was squandered as well. When will they learn?

This trend looks to repeat itself with the upcoming Rogen ruin of the Green Hornet, and I’m frankly tired of it. I’d prefer they didn’t bother, if they can’t at least make an attempt at presenting the genre and source material right. All for innovation, but camp rarely works and bad writing works even less, Keeping up with the Kardashians aside. It is all the more irritating because it tends to translate to the genre in the eyes of the general public, whom we, as Western writers are trying to persuade to read our work and discover it is not what Hollywood often portrays it as.

All I can say is I hope The Lone Ranger doesn’t suffer the same way (though history with the Ranger’s past two movies in cinema and TV doesn’t bode well…), though with Johnny Depp as Tonto perhaps things will be taken seriously.

Monday, July 12, 2010

Terror Tuesday: Ghosts and Witches of Maine

What are little ghouls made of? Why, little ghouls are made of mold and bugs, rotting flesh and garden slugs…and just a hint of formaldehyde…

Screened: Born Losers. Ok, not horror but pretty horrible. This was the late ‘60s prequel to Billy Jack, a movie I have fondness for despite its many flaws and hit-you-over-the-head political messages. But Born Losers has very little if any redeeming value. A biker gang terrorizes a town, raping nubile beach bunnies, beating up innocent folk and taunting local law. Enter our trusty half-Cherokee hero, Billy Jack, former Green Beret and kick-the-crap-out-you pacifist. After five girls are raped, all terrorized into not testifying, Billy must protect the one who just might change her mind and finger the crooks.

This movie is pretty bad in a number of ways. Poor acting, awful writing, bad direction. Lots of standing around waiting to react and the opening gored rabbit thing was an immediate turn off. The lead cutesy can’t deliver dialog to save her life, and the writers compound it by giving her terrible line after terrible line. Tom Laughlin is good as Billy Jack, of course, working with awful material. Billy Jack is a great character, so it’s too bad he was introduced in this mess of a movie. Strangely enough, however, you do want to see him just go postal on these biker dweebs and feel pretty good when he does, though the strange ending waters it down.

Anyone who has seen Dark Shadows knows Maine is full of ghosts and goblins. I mean, we’ve got everything here: spooks, witches, werewolves, headless dudes tearing off heads…I haven’t seen any of these things personally, but live in constant hope.

With its miles of rocky coast and beaches, short summers and chilly, blazing-leafed falls, Maine seems perpetually haunted. The ocean brings an eerie feeling to the state, tainting the air with salt, rising tendrils of fog…and ghosts. Lots and lots of ghosts.

Ghost witches, too. One such famous Maine witch was Mary Nasson (often cited wrongly as Mary Miller Jason in Maine ghost books), who was an herbalist in the coastal town of York at Maine’s southernmost tip and buried in the York Village Cemetery. The grave, called The Witch’s Grave, is unique for its many stones, allegedly placed there by her husband to keep her in her eternal resting place (but in reality was to keep pigs from rooting because her husband was moving and could not care for the grave). Of course it’s supposed to be haunted. It is said to emit heat and attack crows, Mrs. Nasson’s “familiars”.

As with many of the tall ghostly tales that end up in various books on the subject, the story is most likely the product of an early publicity attempt by one Elizabeth Perkins, a driving force of the Colonial Revival Movement in York. Poor Mary was of course not a witch nor likely to be crawling out of her grave, and manifestations of heat felt by tourists are likely psychosomatically induced. But it’s a fun spot to visit on your ghost of Maine tours, especially for the historical stones and houses.

Coming up, I’ll take a look at some other Maine haunting. Hope you’ll spook around…

Kicking Evil’s ass one demon at a time…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Saturday, July 10, 2010

Barnaby Jones

I wasn’t sure how I was going to feel about this show since I hadn’t seen it since I was a kid. I loved it, then, but sometimes memories are rosier than reality. But I found the DVD set of the first season on sale and picked it up. I am glad I did.

Barnaby Jones, a Quinn Martin Production, starred Buddy Ebsen as a geriatric PI, who comes out of retirement after his son is murdered. His daughter-in-law, played by the lovely Lee Meriwether, works as his secretary. Barnaby was spun off CBS’s successful portly detective Cannon as a mid-season replacement and ran from 1973 to 1980. The first season was 13 episodes and Ebsen, fresh off the Beverly Hillbillies (he reprised is role of Barnaby in the Beverly Hillbillies movies years later), was in his 60s, so at least he didn’t get beat up as much as Mannix. But he was a pretty tough old dude when he wanted to be. He packed heat and a disarming folksy manner. Three years into the series, a cousin, much younger, who did get beat up enough, came to help Barnaby refrain from exerting himself too much. Jerry Goldsmith’s haunting theme music was excellent too.

The show holds up well. Ebsen is perfect and the writing was top notch. This was back when writers knew how to tell a mystery story in 50 minutes and tell it well. Plots are clever and sometimes even a little edgy. You knew who done it from the get go, but the trick was, how was Barnaby going to figure it out? There were a ton of guest stars, from ‘70s staples to big-time actors to future up-and-comers.

The DVD restoration and transfer is fantastic on this set, incidentally. It is nearly Blue Ray quality. One odd aspect of the set: in one episode involving students who accidentally murder a teacher and try to hide it, one mutters the phrase “N-word in a woodpile.” And the DVD set bleeps it. How they ever got this word past 1970s sensors is a mystery Barnaby probably couldn’t solve, but why the DVD bleeps it is another, because the phrase’s origin has nothing to do with the connotation it carries today (first use as an offense occurs around 1928). In Old West parlance it comes from Mountain Man lingo and was simply was another word for “fellow’, applying to anybody or any color. It was often applied to anything inferior or bad, as well, so “in a woodpile” meant something was wrong or shouldn’t be there. Of course, why a student would be using an old west phrase is another matter…

Highly recommend this set for anyone who was a fan of the TV detective genre back in the ‘70s.

Kicking Evil’s ass one demon at a time…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Wednesday, July 07, 2010

Western Wednesday: Cheyenne

It’s Western Wednesday again here on Dark Bits so pull out your pistol and…um, wait, that’s probably illegal in some states…In that case, don’t pull out anything just saddle up and scream an occasional Whoopie-i-ti-yay!

A number of Westerns hit the air in the ‘50s and ‘60s, most of them very good. One such show was Cheyenne. I have to admit this was one series I was not familiar with from my youth and hadn’t seen until a friend gave me a copy of a sample DVD set. I am glad he did because it’s a fun series.

It ran on ABC from 1955 to 1963 with 108 hour-long black and white episodes, and was the first hour- long drama with regular characters. It was also one of the most turbulent series in TV history, as its star battled constantly with the studio over contractual matters.

But no doubt about it, despite decent stories, that star WAS the show. Clint Walker’s commanding presence and iron jaw made Cheyenne, and the studio knew it. He drew very high ratings to the smaller ABC network, the show often top ten against stiff competition.

Clint played Cheyenne Bodie, a wanderer whose parents had been massacred by Cheyenne Indians, the same Indians who raised him. A bit dysfunctional, but he came away with a deep understanding of their ways. Walker reprised the role for a Gambler TV movies as well as an episode of Kung Fu: The Legend Continues in the ‘90s.

Bodie drifts through the series, taking odd jobs at ranches, on wagon trains and cattle drives, quickly finding some sort of dilemma to become involved in. Sometimes he was deputized, sometimes ostracized, but he usually solved problems with a fast gun and quick rock-hard fists. The show ripped off a number of famous western movie plots, simply inserting Bodie into the action with very little change and spawned a comic book and board game.

Clint Walker was one of the most commanding film stars of his time and it’s easy to see why many of his demands were met. He is the quintessential Western hero—tough as, dare I say it, rawhide, gentle and cool with the ladies and forged with enough morals and conviction to satisfy a priest—well, except for the killing thing…and constant fist fights. Many episodes are available on DVD, so check it out.