Wednesday, October 27, 2010

The Hauntingest Time of the Year...

For me, it's time to get out the Great Pumpkin, Charlie Brown and Hocus Pocus DVDs, because Halloween is nearly upon us.

I love everything about the holiday--well, except the little bastards who throw eggs--the trick-or-treating, roasted pumpkin seeds and all the spooky trappings. I love the smell and color of autumn leaves and the way they crackle under your feet. The day and night of All Hallows’ Eve just feels different somehow, shivery, magical. It’s a time to believe in the unseen, release your inhibitions and create new traditions. But where did Halloween come from?

The ancient Celts believed that on October 31st the boundary between the living and the dead vanished. Halloween, in fact, began with the Celts, as a celebration of the end of harvest known as Samhain (pronounced “sow-wen” in the ancient Gaelic, but, according to Wiccan dictionaries, the pronunciations vary, such as “SAM-hayne”, meaning “End of Summer”). It was sometimes known as the Celtic New Year, and a time for Celtic pagans to take stock of supplies for the coming winter. Costumes and masks harkens back to a tradition of trying to copy or placate evil spirits. In Scotland, young men impersonated the dead by blackening their faces or wearing masks or veils, while dressing in white.

Halloween is a shortened form of All Hallows’ Even (Eve), or the night before the Christian-adopted All Saints Day (though originally these both occurred on the same day. Some have All Saints Day as November 7, as well) On All Hallows’ eve, the ancient Celts placed a lantern carved from a turnip on a window sill, believing the head to be the most powerful part of the body, containing the spirit and the knowledge. Welsh, Irish and English myth are full of legends of the brazen head, which is said by some scholars to go back to the widespread ancient Celtic practice of headhunting, and nailing the noggin to a door lintel or placing it by the fireside to speak their wisdom (I don’t know about you, but I don’t want any talking heads by my fireplace, wise or not). The name jack-o'-lantern can be possibly traced back to the Irish legend of Stingy Jack, a greedy, gambling, hard-drinking old farmer who tricked the devil into climbing a tree, then trapped him by carving a cross into its trunk (though there is some debate over the story). Pissed off, the devil put a curse on Jack, condemning him to forever wander the earth at night, his only light a candle inside of a hollowed turnip. Pumpkin carving is associated with Halloween in North America, since pumpkins are plentiful and larger--I for one would not want to try carving a turnip! The US tradition of pumpkin carving did not become specifically associated with Halloween until the mid-to-late 1800s.

Much of the other symbolism of Halloween in America comes from horror movies and gothic literature. Some Fundamental and non-denominational churches along other religions actually ban Halloween in favor of harvest parties, or make, pardon the pun, no bones about it being evil. Wicca traditions for Samhain include: black cats, besoms, gourds, Jack-o-Lanterns, all black stones, and foods such as apples, turnips, nuts, mulled wine, beef, pork and poultry. It is also generally considered the witches’ New Year.

Pagan and religious origins and connotations aside, I think Halloween should be a night of fun, a time to let loose and enjoy being with your friends and family and to experience the stress release of a good healthy scare! Whether your own traditions involve the ancient origins or more modern spooky observances, I think, especially in hard economic times, it is doubly important to just enjoy the occasion.

Tuesday, October 26, 2010

Monster Month: The Gill-Man

You just never know what’s going to be swimming around in a jungle lake…well, other than one hot girl—in the form of the exquisite Julia Adams--who you just know is going to become the object of obsession of some butt-ugly creature. In this case the creature has gills, webbed hands and feet, and a pretty pissed off attitude for some scientists messing around in his territory. And who can blame him?

The Creature from the Black Lagoon is one of the best Universal monster movies. Released in 1954 it spawned two sequels, Revenge of the Creature and A Creature Walks among Us.

When a geological expedition to the dark Amazon uncovers evidence of some sort of web-handed missing link, they discover the link is not so missing after all and alive and well in the Black Lagoon. The creature kills a number of the scientists before finally meeting its own “doom” at the end of the film…or does it? Guess not, since we already know about the two sequels.

The Gill-Man may not get quite the publicity as, say, Dracula or Frankenstein, but he’s every bit the classical monster they are. And despite the fact he looks a bit like a walking penis with scales he gets the girl…for a while, anyway. He’s appeared in other media such as a meeting with Abbot & Costello on The Colgate Comedy Hour, an excellent Aurora model kit, etc., and will reemerge an upcoming remake. He is one of the great monsters of filmland and deserves more notoriety than he gets.

All the movies are available in a Universal DVD set. Run them back to back the week of Halloween…and stay out of any Amazon lagoons.

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Monday, October 25, 2010

Monster Month: Frankenstein’s Monster

Mary Shelly wrote the novel at the tender age of 18, which if anything proves teenagers haven’t changed much when it comes to that dark period we call adolescence. The novel was published when she was 19 and her name did not even appear on the original London edition. Her novel is a classic warning of the limits of science, or pushing beyond those limits into things we perhaps should not, but her version varies considerably from the Universal Films’ adaptations of the 1930s, which is the monster I will focus on here.

Frankenstein’s monster, mistakenly referred to as just Frankenstein by many—Frankenstein was the scientist, not the creature—shambles his way through the classic film starring Boris Karloff. Henry Frankenstein assembles a collection of body parts and bit of electricity in an effort to create life—and he does, but that life is a grunting groaning monster with a pretty bad attitude. Unfortunately when a brain was needed for the creature, the wrong one was used, that of a criminal, and the creation knows only murder and mayhem when it rises. Flat of head, big of feet, with bolts sticking out of his neck, he becomes the terror of the village, hunted and maligned. In the end he meets a flaming death—at least until the sequels.

The movie varies so much from the novel it would be too long a compassion to go into here, except to say, for one of the few times in Hollywood’s history, the story becomes not one but two classic works. One, Shelly’s fictional masterpiece, and the other a brilliant piece of horror filmmaking. Boris Karloff brings the creature to life without words, simply a masterful performance. The film spawns Bride of Frankenstein, Frankenstein Meets the Wolfman (my person favorite) and other sequels. Other film adaptations that stuck closer to the book all fell flat compared to the Universal movie. And the creature became a Halloween archetype. The theme was used in numerous other movie and TV shows as well. Dark Shadows did a take off on the book, creating Adam under the guidance of mad Dr. Lang, even adding a bride called Eve. Herman Munster portrayed a comical slant on the creature and Frankie appeared in the cartoon The Groovy Ghoulies, and a ‘60s’ Saturday morning cartoon called Frankenstein, Jr. A scene from the movie—originally cut—where the creature encounters a little girl, accidentally killing her, was paid homage to in the first Incredible Hulk telefilm (to a better conclusion).

The original movies are available on DVD, in a boxed set, and prefect for your Halloween night fright fest.

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Sunday, October 24, 2010

Jonah, I Hardly Knew Yer…

So I noticed in today’s Best Buy flyer Jonah Hex is on sale this week for a mere $9.99. For the price of the movie ticket you can own the thing, so it was worth taking a chance. I have to admit, when I first heard Jonah was coming to the silver screen I was pretty excited. I am a fan of the comic book, which is very good, and character, and when Josh Brolin, former Hickok on The Young Riders, was announced in the lead I durn near peed my britches. Then the movie came out and though I rarely pay any attention to reviews…too much bad creek water was flowing and I decided to wait for the DVD.

A wise choice. I sincerely think Hollywood has forgotten how to make a western movie. Yeah, this is an action movie set in the West. Semantics, because they blew it either way, though it is not as bad I expected and there are even some good parts…I think, because I dozed off about halfway through. I am praying they don’t do this to The Lone Ranger, but beyond the ‘50s and Clayton Moore there’s a poor history…

Josh Brolin cannot be faulted. He is excellent as Jonah, the mutilated-faced bounty hunter tracking down the enemy who made him such. But he is stuck in what is basically a B movie and not in a good late-night-popcorn-and-thrills kinda way. Megan Fox is…um, well, NOT Meryl Streep. Even so, the film is probably a waste of her breasts, which aren’t even the biggest guns in the movie. The opening sequences look cheap, the scenes muddy and gloomy, the music annoying and out of place. Lots of stuff going boom near the end and some odd muckity-muck about Jonah Hex, Ghost Whisperer. But if you ignore all that…it is worth the 10 bucks to see Brolin bring Jonah to life and I have seen worse. Or wait a couple months and get it in the bargain bin for six…

Friday, October 22, 2010

Monster Month: The Thing from Another World

Long before the government started labeling food, vegetables could kill you. Not because they were produced in unsanitary conditions and fed to an unsuspecting public, but because they came in the form of James Arness as a plant-based alien whose ship crashed in the arctic and was unthawed to wreak havoc on a scientific study group. Who knew frozen carrots could be so deadly?

The film, directed by Howard Hawkes, was released in 1951 and based on the John W. Campbell, Jr. novella, “Who Goes There”, published in 1938. It’s a pretty scary film for its time and in my opinion far superior to the Carpenter remake of the ‘80s, though that film stuck closer to the novella’s concept. James Arness of Gunsmoke fame is virtually unrecognizable in the costume, but as frightening as Walmart at 5am on Black Friday. While the film is considered science fiction, it is much more in the horror monster tradition of the Universals of the ‘30s. The walking killer carrot stalks and kills, the study group trapped in the outpost with no way to escape and no George Foreman grill to cook his vitamin A ass.

The movie taps into some of that UFO/Alien invasion paranoia of the ‘50s but is a great monster romp for a chilly Halloween night.

And if there is one significant lesson to be learn from it, it may be, Eat your vegetables…before they eat you!

On another note, I hope you’ll check out my horror interview over at Writer’s News Weekly: http://writersnewsweekly.com/interview_hopkins.html

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Monday, October 18, 2010

Monster Month: The Mummy

No matter how many times archeologists are warned against breaking into Egyptian tombs…the results are always the same. It’s balderdash, poppycock…until that shambling creature of bandages returns to choke the life out of them. The tombs always hold a curse, so you’d think they’d have learned their lesson by now. Nope. And, really, what fun would that be?

The Mummy is a pretty intimidating monster, albeit you have to wonder why he got so many victims, considering how slowly he drags about. He was first realized in the 1932 Universal horror movie staring Boris Karloff as the swathed priest Imhotep. An excellent movie for its time, still better than the CGI laden remakes today, the film was shot in the Mojave Desert and spawned a number of sequels.

My personal favorite is the 1959 Hammer Films’ version starring Peter Cushing and Christopher Lee. Lee made a particularly imposing Mummy, shambling and grunting, and conveying utter menace with his eyes alone. Virtually indestructible, he gets a hankering for the leading lady of the film, who just happens to resemble more than a little his lost priestess love. From riches to rags, in this case.

The Mummy has made it into a number of mainstream TV shows, such as Voyage to the Bottom of the Sea and Ghost Whsiperer, spawned a take off on the legend in a movie of the week called The Cat Creature (like a vampire turns into a bat, this Mummy turns into a cat or a lovely priestess), and has even appeared in pulp hero novels (The Avenger: The Blood Ring and Doc Savage: Resurrection Day, to name two) and a Marvel Comics mag of his own titled The Living Mummy.

What is your favorite Mummy movie? Do you like the classic raggedy version or modern films?

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Wednesday, October 13, 2010

Monster Month: The Werewolf

Another look at the dark side in all of us in monsterdom is the Werewolf. Also called the lyncanthrope, this human/wolf hybrid is a shape shifter, usually against the will. With the three nights of the full moon, the afflicted—by curse or the bite inflicted by another werewolf—changes into a raging beast who prowls the night in search of victims, often half-clad damsels. There are a number of variations on the theme, some using the full moon, some not, some showing the sign of a bleeding pentagram on the palm to signal the change, others changing at will.

The werewolf has long been one of my favorite monsters. I first encountered him in the persons of Chris Jennings and Quentin Collins on the gothic soap, Dark Shadows, then shortly after in a late-night showing of the classic Wolfman movie with Lon Chaney, jr. I prefer the Wolfman version, though later movies such as The Howling changed the werewolf into amore animal form, as per its folklore origins.

The Werewolf inadvertently led me to my love of pulp heroes, as well. On one snowy night in November of ‘73, my father brought me to the then new mall and its Walden Books store. There I spotted what became a lifelong passion—a paperback with a giant Man of Bronze grappling with a Werewolf. The book was Doc Savage: Brand of the Werewolf and I was from that moment on hooked on the series.

The werewolf presents a chilling figure in monster mythology. Their strength usually far exceeds that of a human being and they possess rapier claws that can gut a defenseless victim in a single swipe. Their howl sends shivers up the spine and freezes the blood. Their teeth can take out a throat in an instant.

Sometimes, the werewolf is a pitiful figure, or at least his human counter part is. Struggling under a savage curse, seeking to protect those he/she loves from being torn to shreds during a full moon, our hapless victim endures great emotional and physical turmoil…with no way to end the curse other than by swallowing a silver bullet. Or as in the case to the Werewolf TV show, needing to kill the first of the bloodline to end the malady.

There have been countless movie and TV versions. The Fox network show, Werewolf, starring John J York; episodes of Voyage to the Bottom of the Sea, The Night Stalker; TV movies of the week such as Moon of the Wolf with David Jansen; and of course the recent nifty remake of The Wolfman with Anthony Hopkins (check out the excellent extended version.).

The Werewolf even became a hero of sorts in the 1970s Marvel monster revival in comics, running some 50+ issues in Werewolf by Night.

While the werewolf has not achieved quite the popularity of the vampire in monster fiction he’s probably one of the most recognizable staples of Halloween and horror. So remember:

Even a man who is pure in heart: and says his prayers by night
may become a wolf when the wolfbane blooms
and the autumn moon is bright...

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…

Tuesday, October 12, 2010

Monster Month: Dr. Jekyll and Mr. Hyde

We all have a dark side. A side we—usually—keep hidden or suppressed. Sometimes that side emerges during fits of anger, great emotional turmoil or through the use of chemicals.

Such was the case in Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde”, a novella written by the Scottish author in 1886. The duality of human nature fascinated Stevenson and the novella was one of the prolific author’s best selling works. It concerned the case of a lawyer named Utterson investigating the mysterious occurrences connected to his friend Dr. Henry Jekyll and a certain vicious Edward Hyde. Unfortunately for Dr. Jekyll, the transformations into Hyde become ever-increasing and permanent, the potion he uses to stave them off and transform back running out of its necessary ingredient.

The fiction concept was pretty unique at the time but is now the basis of many monster fictions—from the werewolf to the Incredible Hulk. Take offs on the Mr. Hyde script can be seen in many movie, TV and book adaptations, as well as original uses of the now public domain character. The 1960s gothic soap Dark Shadow even featured a play on the novella as one Cyrus Longworth in Parallel Time became the rapacious John Yeager. The creator of the show, Dan Curtis, produced one of the best adaptations to TV movie a few years later, starring the inimitable Jack Palance.

I read the novella back in seventh grade, but it stuck with me, so much so that Mr. Hyde returned in my own fiction in a widescreen comic book from Moonstone entitled The Strange Case of The Spider and Mr. Hyde in The Spider: Judgement Knight series. The Spider, a split personality pulp hero with mega-violent tendencies of his own, seemed a perfect mirror for the monsters Hyde.

The novella can be obtained free online, as it is now public domain. Many of the movie adaptations are available on DVD. Halloween seems like a perfect time to revisit Mr. Hyde…and take a look at the dark demon inside us all…

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Thursday, October 07, 2010

Monster Month: Vampires

There’s no denying in all of monsterland the Vampire reigns supreme. From Bram Stoker’s evil incarnate Dracula, to the modern sparkly blood-suckers of Stephanie Meyer’s Twilight, the vampire has remained popular in books, plays, movies and TV shows for nearly two centuries.

In its earliest form, the vampire was indeed a monster, no tragic figure cursed like the poor werewolf. Dracula was bad to the last drop and for the time period startlingly erotic. That eroticism plays a much bigger part nowadays, thanks to an explosion of vampire romance, but certainly has its roots in Stoker’s creation.

Over the decades, the vampire has changed back and forth, becoming more civilized, returning to its monstrous roots, then resurfacing as a enchanting dark figure, who, aside from that nasty little blood-drinking addiction, has become a sort of dark hero.

In literature and on film Dracula himself has gone from monster to romantic figure. Hell, he’s even made it into a Saturday morning cartoon comedy in the Groovy Ghoulies.

Vampires and vampirism, of course, go back much farther than Dracula, who himself was based on Vlad (Tepes) the Impaler, Prince of Wallachia (1431-1436). It was merely Stoker’s novel that mainstreamed the vampire. The charismatic and sophisticated vampire of modern fiction was born in 1819 with the publication of “The Vampyre” by John Polidori. But vampire lore goes back even farther. The first appearance of the word “vampire” in English comes from 1734, in a travelogue titled “Travels of Three English Gentlemen” and had seen discussion in German literature. The English term originates from the German “Vampir” (possibly via the French “Vampyre”). But the concept existed in cultures such as the Mesopotaimians, Hebrews, ancient Greeks and Romans, with tales of demons that were the predecessors of the modern vampire. The folklore we know today originates from the South-Eastern European verbal traditions, a time when the belief in vampires became so prevalent executions of folks thought to be the undead occurred in public (much like the Salem Witch hysteria in early America).

No definitive description of the folkloric vampire exists but several elements became commonplace in European legends. Vampires were usually reported as bloated in appearance, and purplish or dark in color. Those characteristics were usually attributed to the recent drinking of blood and blood was often seen snaking from the mouth and nose of the vampire in its coffin. The vampire was normally dressed in its burial linen shroud and its teeth, hair, and nails may have grown, though normally fangs were not a feature.

Many of the trappings we know today come from literature and film, with new traits being added over the past 30 years or so that allowed the vampire to walk in daylight, either through an amulet or piece of blessed jewelry of some kind, or some were simply able to walk about comfortably on cloudy days, ala Moonlight or Twilight. In modern vampire lore the undead have been even able to integrate themselves into society and become detectives or bar owners.


It’s clear that the vampire legend, while enduring, is also quite flexible and malleable. But it’s also certain that as long as we have mosnters we will have the vampire, good, bad, or sparkling…

Tuesday, October 05, 2010

Monster Month: Hero Pulp Monsters

In the 1930s any number of groovy ghouls made their way into the pulp magazines and Doc Savage was no exception.

Doc Savage, for those who don’t know, was the bronze-skinned, golden-eyed archetypical hero of 182 original novels from 1933-1949. Many of today’s modern heroes, especially Superman and James Bond, owe much to the giant Man of Bronze, who fought evil-doers the world over with his band of five merry men and female cousin. Primarily written by pulpster Lester Dent, Doc Savage’s adventures are being reprinted to this day, and he has appeared in numerous other formats, such as comic books, radio dramas and film.

Most of the Man of Bronze’s adventures were merely human bad guys hiding their crimes with supernatural trappings, but occasionally a real monster did creep in.

In fact, the first occurred in the second adventure, The Land of Terror, and in this case the monsters were real—dinosaurs. Doc Savage and his crew discover a mysterious island where dinosaurs have survived into the modern age.

The next exploit to involve monsters is titled, appropriately enough, The Monsters, wherein an evil mastermind has hit upon a formula that transforms criminals into twenty-foot-tall giants, who of course terrorize the country-side.

In The Spook Legion we get invisible men, who while not technically monsters are still classic horror staples. In The Red Terrors jellyfish like creatures drag folks beneath the waves.

And in the final tale, Up From Earth’s Center, the denizens of Hell itself make an appearance.

Many other stories have monster trappings, which make them great fun and great Halloween reading. Brand of The Werewolf with its mysterious werewolf engraving, Hex with its Salem witches, The Giggling Ghosts with is laugh-to-death spooks, and The Mountain Monster with its giant spider crawling through a valley during thunderstorms.

Other pulp hero series included a monster or two: The Shadow had some killer flying dinos in The Devil Monsters, The Avenger had a half-man/half-ape creature in Nevlo and The Spider…well, The Spider pretty much had every walking depravity known to man.
Monsters have been into everything, and our imaginations and entertainment our so much richer for them.

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Monday, October 04, 2010

Monster Month: The Headless Horseman

Monster month continues on Dark Bits with one of my all-time favorite monsters, The Headless Horseman from Washington Irving’s, “The Legend of Sleepy Hollow”. This is the first tale I recall my father reading to me when I was a child (tied with Land of OZ), and it left an indelible impression.

The story concerns a schoolmaster, Ichabod Crane, who competes with burly “Brom Bones” for the hand of the lovely Katrina Van Tassel (does that sound like a stripper name to anyone else?), daughter of a wealthy farm owner. But as Ichabod leaves a party one night, he is chased by the headless ghost of Hessian soldier whose head was shot off by a cannonball in an unnamed battle. Ichabod vanishes after the encounter, never to be seen again. The story indicates it was merely a clever disguise by Brom Bones to scare off the lanky schoolmaster, but the imagery of the Headless Horse has burnt itself into the monster lexicon. The story was based on an earlier German folktale by Karl Musaus and told brilliantly by Irving.

Real ghost or clever get-up, The Horseman is as much a part of the Halloween monster myth as the vampire or werewolf. Numerous movies, plays, and adaptations have interpreted or given nod to the ghastly rider. I was a big fan of the Disney cartoon version as a kid. I still have the 45rpm with the Headless Horseman and Ichabod Crane songs.

Another excellent nod to the classic story occurs in the old Kolchak: The Night Stalker TV series episode, “Chopper”, wherein, in a twist, the rider is now a motorcycle gang member accidentally beheaded by other members, upon whom he returns to seek revenge. More recently, the Horseman appeared in episodes of TV’s Charmed and Ghost Whisperer series.

Since this particular monster left such a lasting impression on me, I paid homage to him in the first book of my children’s horror series, The Nightmare Club: The Headless Paperboy. In my book, the kids of The Nightmare Club are terrorized by the headless ghost of a banana-seated stingray bicycle rider, looking for vengeance on the kids who made him nogginless and hurling flaming newspapers at anyone daring to venture near the old New Salem Cemetery. He returns each Halloween, looking for more kids—and their heads—to swipe.

There’s just something inherently creepy about a reanimated headless spook to begin with, but he’s a perfect monster for those shortening October days leading to Halloween. So if you are out with the moon is high and the leaves scratch across the frosted covered ground…and the ghostly echo of hoofbeats drums in the night…beware! And hold onto your head…

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/

Friday, October 01, 2010

Monster Month

October 1st kicks off Monster Month here on Dark Bits. For the month of Halloween I’ll be spotlighting those groovy ghoulies who made our skin crawl, our pants soiled and our childhood nightmares gloriously frightful.

Where would Halloween be without its procession of monsters—the vampire, the werewolf, the mummy, the witch, Frankenstein, et al—parading in all their gruesome glory down the leaf-strewn streets of our neighborhoods begging—er, asking for candy? Or showing up on late night TV fright fests and in our holiday specials? Nowhere. It’d be Easter.

The monster is the archetype of our nightmares, the personification of our deepest fears. And just a whole lot of scary fun. They exemplify the evils of our imaginations and present a focal point for our terror—one that usually ends with the monster being dispatched and the world put back to normal. Or at least it worked that way in the classic monster days. Nowadays, they run for office.

So what’s your favorite movie, literature or TV monster? Open your closet, reach under the bed and let us know. And, no, Lady Gaga doesn’t count…

My name is Chloe Everson…and I kick demon ass…
THE CHLOE FILES by Howard Hopkins
In the tradition of Sookie Stackhouse and Buffy, The Vampire Slayer…
In paperback from http://www.bn.com/ and http://www.amazon.com/